Two questions, no linkspam
Jun. 7th, 2007 09:13 amTwo questions, one more important than the other:
1. WOW SO IMPORTANT! My stepfather sometimes plays drum for reenactments at the Colonial Village. Where, perchance, might he get a basic black tricorn hat? I think he also needs a red army coat--he's reenacting an American drummer, but apparently they wore red rather than blue. Probably to signify "Don't shoot me." His fellow drummers got theirs for, like, $1400, but I'm sure that someone, somewhere, has a black tricorn and a red coat for three digits or less.
2. No, seriously, I'm not kidding, that was the important question: I valiantly try to explain what a professor once told me was the difference between terror and horror here. This made a deep impression on me at the time, but I can't find the notebook I actually wrote it in two years ago, and so I cannot think of the correct wording. Has anyone else ever heard of this before? Because it's probably a well-known Deep Thought from a philosopher or literary critic. I just don't know who. If it helps, this was my Sentimental Literature class. Maybe Devendra Varma's take ("the difference between terror and horror as the difference between awful apprehension and sickening realization") is actually it, and it's just my professor's rephrasing that made such an impression. I don't know.

1. WOW SO IMPORTANT! My stepfather sometimes plays drum for reenactments at the Colonial Village. Where, perchance, might he get a basic black tricorn hat? I think he also needs a red army coat--he's reenacting an American drummer, but apparently they wore red rather than blue. Probably to signify "Don't shoot me." His fellow drummers got theirs for, like, $1400, but I'm sure that someone, somewhere, has a black tricorn and a red coat for three digits or less.
2. No, seriously, I'm not kidding, that was the important question: I valiantly try to explain what a professor once told me was the difference between terror and horror here. This made a deep impression on me at the time, but I can't find the notebook I actually wrote it in two years ago, and so I cannot think of the correct wording. Has anyone else ever heard of this before? Because it's probably a well-known Deep Thought from a philosopher or literary critic. I just don't know who. If it helps, this was my Sentimental Literature class. Maybe Devendra Varma's take ("the difference between terror and horror as the difference between awful apprehension and sickening realization") is actually it, and it's just my professor's rephrasing that made such an impression. I don't know.
no subject
Date: 2007-06-07 03:17 pm (UTC)no subject
Date: 2007-06-07 03:17 pm (UTC)no subject
Date: 2007-06-07 03:49 pm (UTC)no subject
Date: 2007-06-07 03:53 pm (UTC)no subject
Date: 2007-06-07 03:50 pm (UTC)no subject
Date: 2007-06-07 03:55 pm (UTC)no subject
Date: 2007-06-07 03:51 pm (UTC)Fūrinkazan icon love!
Date: 2007-06-08 02:33 am (UTC)Re: Fūrinkazan icon love!
Date: 2007-06-08 02:49 am (UTC)http://www.d-addicts.com/forum/torrents.php?search=fuurin+kazan&type=&sub=&sort=
I just lust after Gackt whatever he wears, or ... not wears. ;D But seriously, the drama is great to watch, even before Gackt-sama arrives.
Tricorns are easy
Date: 2007-06-07 04:00 pm (UTC)no subject
Date: 2007-06-07 04:07 pm (UTC)no subject
Date: 2007-06-07 06:11 pm (UTC)"Dread is the first and the strongest of the three kinds of fear. It is that tension, that waiting that comes when you know there is something to fear but you have not yet identified what it is. The fear that comes when you first realize that your spouse should have been home an hour ago; when you hear a strange sound in the baby's bedroom; when you realize that a window you are sure you closed is now open, the curtains billowing, and you're alone in the house.
Terror only comes when you see the thing you're afraid of. The intruder is coming at you with a knife. The headlights coming toward you are clearly in your lane. The klansmen have emergedfrom the bushes and one of them is holding a rope. This is when all the muscles of your body, except perhaps the sphincters, tauten and you stand rigid; or you scream; or you run. There is a frenzy to this moment, a climactic power-- but it is the power of release, not the power of tension. And bad as it is, it is better than dread, in this respect: Now, at least, you know the face of the thing you fear. You know its borders, its dimensions. You know what to expect.
Horror is the weakest of all. After the fearful thing has happened, you see its remainder, its relics. The grisly, hacked-up corpse. Your emotions range from nausea to pity for the victim. And even your pity is tinged with revulsion and disgust; ultimately you reject the scene and deny its humanity; with repetition horror loses its ability to move you and, to some degree, dehumanizes the victim and therefore dehumanizes you. As the sonderkommandos in the death camps learned, after you move enough naked murdered corpses, it stops making you want to weep or puke. You just do it. They've stopped being people to you.
...So I don't write horror stories. True, bad things happen to my characters. Sometimes terrible things. But I don't show it to you in living color. I don't have to. I don't want to. Because, caught up in dread, you'll imagine far worse things happening than I could ever think up to show you myself."
no subject
Date: 2007-06-07 04:14 pm (UTC)no subject
Date: 2007-06-07 04:18 pm (UTC)Aha! Here it is: "Terror and Horror are so far opposite that the first expands the soul, and awakens the faculties to a high degree of life; the other contracts, freezes and nearly annihilates them." Is that similar to what you were thinking of?
no subject
Date: 2007-06-07 04:53 pm (UTC)no subject
Date: 2007-06-07 05:11 pm (UTC)http://www.hatsinthebelfry.com/page/H/CTGY/tricornhats
They have a tricorn for $40 and their name is totally to die for!
no subject
Date: 2007-06-07 06:26 pm (UTC)Didn't the Americans wear blue? I seem to remember a stunning red coat on the even more stunning Jason Isaacs in The Patriot, hence "lobsterbacks."
no subject
Date: 2007-06-08 04:12 pm (UTC)no subject
Date: 2007-06-08 04:45 pm (UTC)no subject
Date: 2007-06-07 06:38 pm (UTC)She loved it to bits, and their hats are ~$110.
no subject
Date: 2007-06-07 09:14 pm (UTC)http://www.sudburyminutemen.org/
no subject
Date: 2007-06-07 09:31 pm (UTC)no subject
Date: 2007-06-08 01:24 am (UTC)http://www.museumreplicas.com/webstore/eCat/pirates/pirate_clothing_and_accessorie/accessories.aspx
There's also a red coat, but it's a naval-type coat.
http://www.museumreplicas.com/webstore/eCat/pirates/pirate_clothing_and_accessorie/men_s_clothing.aspx
Most of their clothing is more medieval/reaissance, but there might be some stuff you can alter. Anyways, it's quite a bit less expensive than $1400.
no subject
Date: 2007-06-08 01:48 am (UTC)I've always thought the main difference is that horror is the fear of something bad happening, whereas terror is the fear of something bad happening TO ONESELF.
no subject
Date: 2007-06-08 03:04 am (UTC)no subject
Date: 2007-06-08 01:03 pm (UTC)Not sure how helpful this is, but, my brother used to play drums in a re enactment, sponsored by Washington Crossing church, in Washington Crossing PA, (Bucks County) In case it's not obvious, that would be where Washington Crossed the Delaware. Anyway, they all wore tricorn hats, and I'm pretty sure no one paid $1400 for them. So, maybe they could help out. My mother made his coat...so, no help there, I'm afraid.
no subject
Date: 2007-06-08 03:59 pm (UTC)This reminded me of the mental health concepts of anxiety vs fear. Fear is in reaction to an actual, happening or imminent event. Anxiety is in reaction to the idea of a possibility.
I would say that terror is akin to fear, and horror akin to anxiety, in that it's the emotional reaction to a concept or passed event, while terror is in reaction to imminent, direct danger. It's the distance from actual danger that distinguishes the two.
This is slightly different than the idea that one is about danger to oneself and the other about danger to others. One can feel terror in the face of danger to a loved one, say, because harm to a loved one also damages oneself. But harm already done, or the concept of a stranger being harmed, carries the distancing that produces horror.
no subject
Date: 2007-06-09 11:24 pm (UTC)